Three Reasons // Bicycle Thieves

Directed by Vittoria De Sica

Italian neorealism broke the rule that movies had to be filmed in studio lots. By taking the camera and shooting on location they capture on film the lives of ordinary people and their problems and joys. Motivated with their conscience instead of potential profits, the result is a beautiful, sometimes painful look at what it is to be human.

Whenever I watch the Bicycle Thieves there are two states of mind I naturally fall into. One focuses on the social aspect of the film (poverty, class divisions, etc.) while the other is more concerned with the endearing portrayal of a father and son relationship. These two share a bond and fondness with one another that is so authentic it makes potentially banal scenes - such as crossing the street or sharing meal - so enthralling.

The film is always thoughtful of class divisions and the disparate existence of the rich and poor. It may not be subtle sometimes but then again why should it be?

What are your reasons?

This is a repost from my previous blog, FILM MUSIC ART

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